Monday, 17 October 2011
EXETER POETRY FESTIVAL
I went to a couple of events at Exeter Poetry Festival last week. I would have liked to see more of it but I only found out about the festival because a friend who was reading told me just beforehand. I don't think there was any advertising. The readings I saw in Exeter Library were very good indeed and it was a pleasure to meet friends and have a drink there, a great way to use the library. On Saturday 8th October there was a book launch for a new anthology of prose poems This Line is Not for Turning edited by Jane Monson and published by Cinnamon Press. There were readings by Andy Brown, Anthony Caleshu, Luke Kennard and the editor Jane Monson. Andy Brown's work included some postcolonial narratives that reminded me a little of Tom Raworth's Logbook, but they were more continuous and atmospheric, less deliberately disjunctive. Anthony Caleshu read some work from his recent collection Of Whales, I really enjoyed the Writer's Room poem, and Luke Kennard's witty performance of a playful and vivid piece about scale was a delight. Jane Monson's poems were much better than her explanations about the anthology.
On Sunday 9th October there was a Shearsman event with readings by Mark Goodwin and Harriet Tarlo, who both have work in the anthology The Ground Aslant, edited by Tarlo. This was an extended reading of landscape based work, Goodwin's poems were about walking and climbing in Torridon and I loved them having climbed there myself a long time ago. Tarlo's reading from Clouds Descending was very interesting, the works like arrays of landscape features spread projective verse style across the page. These were sections from a work made in collaboration with photographer Jem Southam. It would have been great to see some of the photos projected at the same time. Photos of Harriet, Anthony, Luke and Mark were the only snaps worth posting.
Thursday, 1 September 2011
SENTENCES EXHIBITION BURY
I just found these photos by Jari Kuusenaho, posted on the Text Festival Facebook page. The top photo is of the main gallery at Bury with one section of the Sentences show curated by Tony Trehy. Derek Beaulieu is walking towards the camera and Marjut Villanueuva is looking at the exhibit and writing. The second photo is my piece More and More moving between sentences.
Labels:
Jari Kuusenaho,
More and More,
Sentences,
Tony Trehy
Saturday, 6 August 2011
EDINBURGH PHOTOS
In Edinburgh for a reading at the Voodoo Rooms for the University of New Orleans overseas summer writing programme, I went to see the local art museums and took photos of these outdoor works by Eduardo Paolozzi, Nathan Coley, Ian Hamilton Finlay and Martin Creed. The Finlay memorial for Robert Louis Stevenson is in Princes Gardens. A Finlay work at the Scottish National Gallery of Modern Art is badly installed next to a car park. I also saw a wonderful retrospective of Elizabeth Blackadder at the Royal Scottish Academy but no photos allowed.
Wednesday, 20 July 2011
READING IN EDINBURGH 25 JULY
I'm giving a reading for UNO at the Voodoo Rooms, 19A West Register Street, Edinburgh, EH2 2AA, at 8pm, 25 July 2011 with Hank Lazer, Susan Schultz, Biljana Obradavic and Dorothy Alexander.
I've been working through the summer with the editor Bill Lavender and designer Carrie Chappell of the University of New Orleans Press on the production of the North American edition of my book Only More So. UNO currently has a summer writing programme in Edinburgh.
I've been working through the summer with the editor Bill Lavender and designer Carrie Chappell of the University of New Orleans Press on the production of the North American edition of my book Only More So. UNO currently has a summer writing programme in Edinburgh.
Tuesday, 12 July 2011
I POETI DI SALA CAPIZUCCHI
The Poets of the Sala Capizucchi is a new anthology published in Rimini, Italy by Raffaelli Editore and in USA by the University of New Orleans Press, edited by Caterina Ricciardi, John Gery and Massimo Bacigalupo. Poems in Italian by Maria Clelia Cardona, Luca Cesari, Mario Lunetta, Daniel Maria Mancini, Pier Paolo Pasolini, Daniele Pieroni, Mario Quattrucci, Edoardo Sanguineti, Carlo Vita printed with parallel English versions; Poems in Czech by Petr Mikes printed with parallel English translations; Poems in English by Massimo Bacigalupo; Mary de Rachewiltz, Patrizia de Rachewiltz, John Gery, Tony Lopez, Biljana D. Obradovic, Wayne Pounds, Stephen Romer, Ron Smith, C.K. Stead printed with parallel Italian translations. Introduction by John Gery.
This is my first Italian publication and includes Italian translations of 'A Path Marked with Breadcrumbs', 'Look at the Screen', 'On Tuesday', 'When You Wish ...', and an excerpt from Darwin all translated by Caterina Ricciardi.
This is my first Italian publication and includes Italian translations of 'A Path Marked with Breadcrumbs', 'Look at the Screen', 'On Tuesday', 'When You Wish ...', and an excerpt from Darwin all translated by Caterina Ricciardi.
Monday, 11 July 2011
POUND CONFERENCE LONDON 2011
Just back from the Pound Conference in London. Four days of papers with three strands running at once at the Institute for English Studies in London University.
Among those that I saw were talks by:
Evelyn Haller of Doane College on the Pisan Cantos and the fashion houses of Charles Worth and Jeanne Paquin;
Gavin Selerie of London on London Ghosts and their Haunts;
Jo Brantley Berryman of Cal Arts on Pound and Hokusai;
Ira Nadel of UBC on Picasso and Pound;
Stephen Romer of Tours on Pound's views on London architecture;
David Ewick of Tokyo Woman's Christian U on Japanese No: Ito, Kume, Kori, Pound and Yeats;
Tateo Imamura also of TWCU on Hemingway, Pound and Japanese artist Tamijuro Kume;
Dorsey Kleitz also of TWCU on Ito, Pound, Yeats and At the Hawk's Well;
Karlein Van Den Beukel of London South Bank on Pound and Modern Dance;
Keith Tuma of Miami Ohio on Sons of Pound (Whigham, mostly);
Julian Stannard of Winchester on Bunting's Metropolitan Shudder;
Annabel Haynes of Durham on Bunting, ethics and politics;
Richard Parker of Sussex on Zukofsky's London;
Jeff Grieneisen of the State College of Florida on Pound and James Wright;
Alan Golding of Louisville on Rachel Blau DuPlessis' Drafts;
Gary Leising of Utica College on Geoffrey Hill's Mercian Hymns as mini Cantos;
Gareth Farmer of Sussex on Veronica Forrest-Thomson's remarkable unpublished criticism on Pound;
Ryan Dobran of Cambridge on J H Prynne's Aristeas;
Helen Carr of London on Pound and Desmond Fitzgerald;
Catherine Paul of Clemson on HD's End of Torment about Pound's WW2 radio propaganda;
David Moody on the 'f - word';
there was a panel of presentations on the forthcoming new edition of the Pisan Cantos, with Ron Bush of Oxford and David Ten Eyck of Nancy, with respondents including Kenneth Haynes of Brown;
also a panel on Ezra Pound in Context (Cambridge University Press, 2010) with Ira Nadel, editor and Ron Bush, Rebecca Beasley, Demetres Tryphonopoulas, Catherine Paul, Massimo Bacigalupo, and others. There was a film of Canto 116 by Bernard Dew, a special reading by Keston Sutherland and Tim Atkins at the Poetry Library on the South Bank, and a conference reading by a dozen or so poets including Ron Smith, Biljana Obradovic, Wayne Pounds, Stephen Romer, Mary de Rachewiltz, John Gery, Jeff Grieneisen, Richard Parker, Gavin Selerie, Julian Stannard and me.
As usual I missed lots of interesting talks, not only because of parallel sessions but because there is just so much going on. It was good to see so many friends and hear some really good papers and very varied poetry readings.
I went on the Imagist Walk in Kensington and in Bloomsbury led by Robert Richardson of De Montford. The photo above is of Pound's lodging at 10 Kensington Church Walk, near Kensington High Street tube, where there is an English Heritage blue plaque for Pound.
Labels:
Bloomsbury,
Bunting,
Fashion,
Kensington,
Pound,
Rachel Blau Duplessis
Friday, 1 July 2011
ONLY MORE SO
Only More So is published in North America by the University of New Orleans, UNO Press and is available now on Amazon. A poem in ten prose sections, 254 pages including a bibliography of sources and index. Cover photo: Fimmvörðuháls Iceland, 1997 © John S. Webb.
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