EDINBURGH EXHIBITION AT SUMMERHALL : THE DARK WOULD

       

ONE HOUR : A SIXTY MINUTE CIRCLE WALK ON DARTMOOR 1984 by Richard Long, courtesy of the artist and Lisson Gallery

from Black List -- Saul and Elaine Bass -- 2006 by Simon Patterson, courtesy of the artist

Arcadia, 2012 by Tony Lopez with Orchard Memorials, photo by John S. Webb

These three images are from a forthcoming exhibition in Edinburgh -- details in the announcement below -- my works will be shown 'in conversation' with Ian Hamilton Finlay works also on display. What a great idea to put on this ambitious exhibition Philip Davenport.

THE DARK WOULD 

Summerhall, Edinburgh 7 Dec - 24 Jan (Public preview 7pm, 6 Dec)

World-leading text artists and poets have been invited to make work about living and dying for The Dark Would exhibition, which includes work by Richard Long, Susan Hiller, Tom Phillips, Simon Patterson, Richard Wentworth, Tony Lopez, Caroline Bergvall, Erica Baum, Ron Silliman and many others, including ‘outsider’ artists. 

Whether homeless people or outsider artists or art stars - we all have to find our way through the dark. Challenging and uplifting, The Dark Would reads the human traces that we leave in the world. This is an extraordinary gathering that asks what it is to have a body and to lose it. As well as including work from the living, there will also be 'answering' works by dead artists and poets including Stephane Mallarme, Ian Hamilton Finlay and Joseph Beuys. 

Summerhall hosts the world premiere of this ground-breaking exhibition curated by poet Philip Davenport, before it travels elsewhere in Britain and abroad. The Dark Would exhibition is an ‘out-growth’ of the large anthology of text art and poetry edited by Davenport and published by Apple Pie Editions 2013.

There will be a series of artist's talks paralleling the exhibition.

Further information here: Summerhall

A GARDEN BY JOHN S. WEBB

John S. Webb's latest book A Garden, published by Nya Vyer, Stockholm, 2012
Photographs from Rorum, Osterlen, Sweden, 2012.
64 pages, 47 images, text by John S. Webb, also includes 'Apple Garden' a short essay by Tony Lopez written for this book.
Edition of 275 copies + 25 boxed special edition signed with print, hard cover clothbound.
21.5 x 15.5 cms.
Printed by Bulls Graphics/Standartu-Spaustyve, Lithuania.
ISBN 978-91-9806662-0-30
ISBN 978-91-9806662-1-0 boxed edition.
Available from webbphoto price 195 Svkr + 40 kr postage (Sweden).

ORCOMBE.COM : A SMALL TREE

Working with friends and collaborators, I've just started a site for prints called Orcombe.com. The first publication is a print made in collaboration with my friend the photographer John S. Webb, who lives and works in Sweden. The print is a combination of four modes shown together: poem, image, commentary and memorial, and it makes connections between the works of the artist Ian Hamilton Finlay, the economist Ernst Schumacher, and the peace campaigner Brian Haw, who lived on Parliament Square, London, for almost ten years to protest against UK and USA foreign policy. I have taken up the form of the one-word poem, invented by Finlay, and echoed several of his works in this new composition that incorporates commentary, rather like Finlay's Heroic Emblems (Calais, VT: Z Press, 1977) that incorporated commentaries by Professor Stephen Bann.
     The print is called A Small Tree. I had in mind Finlay's Small Is Quite Beautiful (stone, with Richard Grasby, 1976, collection Scottish Arts Council) because it picks up on Schumacher's most influential work and plays with that nice distinction between American and Scottish usage of the word 'quite'. My poem is in fact thirteen words including three colours and the important diminutive; the colours are conveyed only in language. It took many months before John Webb was able to get the right kind of flowering Hawthorn image, quite an unusual shot, on the coast at Ribbersborg, Malmo, near where he lives.
     The print is available only through the site Orcombe.com.